W.S. Gager

W.S. Gager Searches for Volatile Deeds

W.S. Gager has lived in Michigan for most of her life except when she was interviewing race car drivers or professional woman's golfers. She enjoyed the fast-paced life of a newspaper reporter until deciding to settle down and realized babies didn't adapt well to running down story details on deadline. Since then she honed her skills on other forms of writing before deciding to do what she always wanted with her life and that was to write mystery novels.

Could you please start by telling us a little about yourself?

I’ve always been a writer and have been able to do many things with it from writing speeches, promoting nonprofit organizations, and writing crime for newspapers as well as lots of other interesting things. Most recently my love of writing has been used in a college-classroom setting helping students build their writing skills to be successful in college. This has been the most satisfying as they realize they do have something to say and can learn the skills to make it happen.

Do you plan all your characters out before you start a story or do they develop as you write?

My characters are very independent and many times I feel like I am losing control all-together. I have characters that only are supposed to have a small part in the book. In A CASE OF ACCIDENTAL INTERSECTION, octogenarian Elsie Dobson’s role was to be a witness in the first chapter only, but she wasn’t happy with that. She took cookies to Mitch Malone to get him to investigate when the police weren’t interested. She made so much fuss, she became a target. One of my favorite scenes ever is Elsie outwitting a killer. I laugh every time I think about it. I wish that was my creativity but it was pure Elsie not letting me rest with my own ideas. 

How much research do you do for your books? Have you found any cool tidbits in your research?

I love research. I usually find the coolest and weirdest things that people would think I made up. Some of my books require more research than others. I try to do as much of the research before I start to write but more often than not, the book takes a different turn and I need to do more. In A CASE OF VOLATILE DEEDS I did quite a bit of research about explosions. I needed something that would scare a city silly but really wasn’t more than flash powder in a high-rise building. Through a professional organization I belong to called the Public Safety Writers Association, I found an explosives expert who gave me all kinds of information about different types of explosions. I had no idea there were so many ways to blow things up. I might be on a watch list for that research. LOL.

How does your family feel about having a writer in the family? Do they read your books?

My family is pretty evenly split on the writing. My husband has dutifully read the first two books and became stalled on the third. My son has never read any of them and my daughter is a big fan and hounds me to finish each one.

Do you recall how your interest in writing originated?

My mom said I always made up stories but I don’t remember that. My first memory is when I was named editor of the eighth grade newspaper. I was selected because my teacher liked my journal entries. Every week we had to write two whole pages on anything we wanted. Most kids hated that assignment and I loved it.

What would be the best way for readers contact you? Do you have a website? Email address? MySpace site? Blog? Message Board? Group?

I love to hear from readers. Check out my website at http://wsgager.com or my blog at http://wsgager.blogspot.com or contact me directly at wsgager@yahoo.com. I also am on Facebook at www.facebook.com/wsgager or Twitter @wsgager

What is the best and worst advice you have ever received?

The best advice I ever received was before my critic group. I’d written a romance because that was what I had read a million of. I thought it was pretty good. It was the first manuscript I’d ever finished. I was a member of Romance Writers of America and one of the ladies in my local chapter read it for me. She told me that I wasn’t a romance writer, which made my stomach drop. She grabbed my hand so I couldn’t run away. She told me I was a mystery writer and to forget about the romance. After I got used to the idea, I realized she was right. The worst advice I ever received was that writing was a solitary enterprise and writers didn’t need others. I would never have been published had it not been for my critic group.

Do you belong to a critique group? If so, how does this help or hinder you?

I have the most fantastic critique group in the world. We meet once a week and we each bring a chapter. We have been meeting for at least six years. Some members have changed but we each have different strengths and weaknesses. We also write in different genres from romance to paranormal. Their influence has made my writing stronger, more vivid and filled with action.

When did you first decide to submit your work? Please, tell us what or who encouraged you to take this big step.

I decided to submit A CASE OF INFATUATION to a contest. I’d written it, edited it with the help of my critic group and didn’t know what else to do with it. I wanted feedback from professionals to improve it. My book won the contest and the prize was a publishing contract. I would never have done that without my critic group telling me it is good enough.

Do deadlines help or hinder your muse?

I worked at newspapers for a dozen years and I am so much better with a deadline. If I don’t have deadlines or set goals, I will take forever to finish something. I also do much better if I have a ton of things to do instead of only a couple. 

A Case of Volatile Deeds - Book 4 - Coming in February 2013

Mitch finally scores dinner with a cute receptionist, but an explosion makes him stand up his date as he runs for an exclusive. His date is the only casualty in a botched robbery. When femme fatale Patrenka Petersen returns, Mitch learns that much of what he knows about his date isn’t what it seems. Mitch must keep his head down or a cute dog with a knack for finding dead bodies will be sniffing out his corpse.

 

Met RWA® Golden Heart® finalist Diana Layne

Native small town Texan Diana Layne is an award-winning published author and an RWA® Golden Heart® finalist. She's a homeschooling mom of six kids who grew up riding horses and motorcycles, practicing the piano and reading every chance she could. As an only child she kept herself entertained with imaginary playmates and now writes romantic suspense thrillers and historical romances.

What do you do on a typical writing day?

I’m not certain any day is typical. In my fantasies, I have created a perfect, typical day, but reality has yet to live up to the fantasy. Since I’ve always homeschooled and I’m on the last two (though two of the older ones, a DIL and two grandkids live with me), I find it’s easier for me to get up early, like at 4 am early, to get any writing done. Our homeschooling could probably be labeled eclectic, meaning it’s a combination of unschooling and homeschooling. Which means I let the kids sleep as late as they can; no “get up at a certain time, start lessons at a certain time.” The longer they sleep in the mornings, the longer I can write. With the first four kids (who are much older) I had an early riser in the bunch. And now with the last two—yep, I have another early riser. He rarely sleeps past seven. Still, if I’ve managed to haul myself out of bed on time, I can get a couple good hours in before he wakes up. In the winter, it’s a LOT harder getting out of bed that early on a cold morning though. (I live in an old house so I have to light the heaters every morning, until it warms up, it’s pretty danged cold! At least cold for this Texan!)

Do you recall how your interest in writing originated?

Growing up as an only child (and only grandchild), many of my best friends were imaginary. These were the days before cable, computers, video games-heck, the TV only had four channels. So I played a lot with those imaginary friends.

While I wrote to entertain myself, it never occurred to me I could write novels for others to read.  I thought writers were members of special clubs, were super smart and rich, everything I wasn’t. One day when I put the kids down for a nap (at the time I was running a home childcare business and naps were vital then) I picked up my Romantic Times magazine and read an article about RWA. You mean they let normal people write romance? (okay, okay, normal is probably subjective, how many normal people’s best friends are imaginary, right?)

Is there anyone who really mentored or inspired you to keep writing until you were finally published?

The path to publishing was a long and bumpy one, marred by a very bitter divorce which knocked me off balance for a long time. The characters had deserted me, the silence was deafening. And I wasn’t sure I’d ever be able to write again.

As they say here in Texas if the horse bucks you off, get up and dust yourself off and climb back on. That sucker bucked me off and I flew through the air and had the wind knocked out of me when I landed flat on my back and hurt so much I didn’t want to move. But I wanted my kids to see that you never give up if you have a dream. So I pulled myself up, dusted myself off and climbed back on that horse.

When you have writer's block how do you break free?

Yeah. Been there a few times. Or twenty. First time it was bad. Scary. What happened, why couldn’t I write?

I read The Artists Way by Julia Cameron, saved my sanity. Morning pages. Hate them. Really. Hate them. Don’t do them anymore but I do something similar, I just don’t call it morning pages. I journal. Write down all I’m feeling, analyze it, figure out where I’m blocked-usually it’s some situation or an emotional reaction to a situation that I’m ignoring and real life has leaked over and destroyed writing life. Writing all that down gets it out of my head so my brain doesn’t have to worry with it like a cat with a toy mouse, and I know I won’t forget about it because it’s all down on paper. At that point, my characters have room to come back and play.

How much research do you do for your books? Have you found any cool tidbits in your research?

I do however much research is needed. Usually a lot because usually I’m clueless. Why can’t I pick something I know to write about? Like wiping snotty noses or changing diapers… But assassins? Yeah, that’s something a small town homeschooling mom is gonna know about. Sailing a pirate ship? Um, no, my toy bathtub boats sink. Tanning hides? Well, I got my hide tanned a few times when I was a kid, but…tanning an animal hide like the 1800s Native Americans, no clue.

Cool tidbits? I learned how to kill someone with a hat pin. I learned that the Elm tree I wanted cut down because it’s right in the way is actually quite useful in several herbal remedies. And I learned that I’m not made for the seafaring life, I got seasick just researching.

What is your writing process? Do you outline, fly by the seat of your pants or a combination of both?

I actually write like I homeschool, half and half. What’s that mean? As I mentioned previously, I do a combination of unschooling and homeschooling, no rigid school schedules here and while we cover basics, the kids are free to explore whatever subjects beyond that make them happy.

For writing, while I look super organized, I have scene sentences on notecards in a notecard notebook after all, they’re actually bare bones sentences and the scene pretty much develops on its own after I start writing the story.

Mainly I start each book with the “sentence” that boils the story down to this: Protagonist with a need vs. antagonist with a need in an interesting setting with a twist. I learned this from Holly Lisle’s course How To Think Sideways, which is a really cool course. Next, I work on scene ideas from that sentence ala Randy Ingermanson’s Snowflake method (incidentally Randy starts with a sentence too, I just like how Holly’s is structured). I write each scene sentence on a notecard, file them in my notecard notebook and ready, set, go! (Randy’s also got great Snowflake software but since I do my rough draft writing by hand, I prefer having my notecard notebook by me.)

What I did learn when I wrote Pirate’s Proposal is that if I start off with the wrong sentence, the story will not work, no matter how I organize myself. I had to ditch the first three chapters on my first attempt-so much for all my organization.

Can you please give us a sneak peek at any of your upcoming books?

This is from a novella that will be out this month. If you’ve read my romantic suspense The Good Daughter, this is the beginning of the love story of two characters who play a prominent role in The Good Daughter, Nia and Sandro. This isn’t a suspense book, it’s strictly a romance; although since Nia’s still in college it might be classified as one of those New Adult romances. If you haven’t read The Good Daughter, no big deal. Red-Hot Italian will stand on its own.

Nia, the heroine, is a world-class soccer player for the American women, while hero Sandro is an international Italian soccer star. Yeah, you could say like Beckham but Sandro is Italian and if you actually go back in history a couple of decades you can say like Roberto Baggio, who was FIFA World Player of the Year in 1994.

Anyway, Sandro is Nia’s soccer hero, she always studied and emulated his style until it developed as her own and by a fluke of unimaginable luck (at least to her) her soccer coach is Sandro’s uncle. When the Italian national team is in town for a friendly match with the American national team, the uncle invites Sandro over.

Here Sandro and Nia are cleaning up the dinner dishes while coach and his wife are having a very loud argument in the other room.

“I know these dishwashers are supposed to clean without rinsing, but it just seems--”

Nia abruptly cut off her sentence when she realized she was chattering to cover her nervousness and the noise in the other room.  Noise which could no longer be ignored.

She stopped to listen, dried her wet hands on a towel. “Do you know what’s going on out there?”

“Si.”

“Well, come on, don’t keep me in suspense.”

Sandro’s gaze captured hers. “I asked if you could stay the night.” 

Ahhh. Why is Sandro wanting Nia, who he just met earlier that day, to stay the night at his uncle’s house? Is he wanting to be naughty or is it something else?

Do you have a website recommendation for other writers?

Naturally I recommend the Ruby-Slippered Sisterhood www.rubyslipperedsisterhood.com.  We’re a group of 2009 Golden Heart® finalists who formed the group the day the finalists were announced. It wasn’t long after we started our blog, designed to help other writers. Our motto is: Your sisters on the yellow brick road to writing success.

How can readers find out more about you and your books?

www.dianalayne.com

Nominated for the RWA® Golden Heart® Award

When reality is a web of lies and the truth endangers all you hold dear . . . you Trust No One.

Drafted into the nebulous underworld of a secret agent right out of college, MJ Thornberg survived betrayal and attempted murder at the hands of her trusted partner. Instead of returning to the deadly realm of espionage, she chose to retire to a small Texas town and work as a mechanic while raising her soon-to-be-adopted baby daughter.

Ben Walker is a man with his own secrets. An agent with MJ's former employer, Vista Security, Ben is clawing his way out of a downward spiral from a job gone wrong when Vista sends him after MJ, with orders to use the threat of halting her baby's adoption to ensure her cooperation.

Furious and trusting no one, MJ intends on working the job solo until a sniper's bullet alters her plans. With no choice but to work with Ben, MJ must confront ghosts from her past, discover truths of her present, and trust that the future she deserves is in her hands to create.

 Excerpt / Amazon / Amazon UK

 

CONTEST: $20 Amazon or BN gift card